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Porter recalls: “I got asked to DJ and thought, Well, this guy is offering me $500 to go to Portland and DJ. DJing as a task compared to production is super simple.” I knew what you did-mixed the intros into the outros, adjusted levels, beatmatched. I’d listened to maybe three DJ sets on the Internet. “I had listened to a couple of sets online,” he says, “Just from my idols. Thing is, Porter wasn’t actively spinning. It wasn’t long before he started to soar up the charts on Beatport (his first single, “Say My Name,” hit #1 on Beatport’s electro house chart in 2010), and the DJ bookings that are paramount to the survival of an artist in the EDM scene starting coming in. Otherwise, all the comments were, ‘Your kick sounds bad.’”Ĭiting Wolfgang Gartner as an influence, Porter was attracted to the “crazy detail” that he found in Wolfgang’s tunes.
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This was a scene where you had to spend-bare minimum-a thousand hours working on how to make the kick drum sound right. It’s some of the hardest stuff to produce. I learned a lot of my melodic sensibility there, learned about which melodies are logical, which voicings feel good, what evokes certain emotions. Within a few years, Porter had “gained a small following in that scene.
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There was so much happy Japanese music there, and so this German scene, I really liked it a lot.”
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Part of the reason I was so predisposed to that happy music was DDR. “I got involved in this obscure German dance music scene,” he says. How, then, do you account for the fact that within six years, Porter would become a bona fide phenom? The answer: Germany. I started producing around age 12, and I was very, very bad for many, many years.” “I thought, Maybe I could make some electronic music myself! I looked up ‘DJ software’ on my computer at home because I didn’t know what the difference between a DJ and a producer was. “I remember walking into an Apple store, seeing Garage Band, and playing a few notes on a MIDI keyboard,” he says. Porter’s love for the hit dancing game’s soundtrack spurred his interest in producing his own music. Then I got into Japanese video games, particularly Dance Dance Revolution.” “I didn’t really listen to much until I was 11 or so. “I didn’t have much of an interest in music at all,” Porter explains. The journey began with one wildly popular video game. But with the release of his debut album Worlds just a couple months away, Porter Robinson’s shedding the glitz of EDM in favor of more personal, deeper music. “Isn’t Porter Robinson one of the bigger names in the EDM scene?” Given how quickly he rose from prominence (remember, his Spitfire EP was the first release on Skrillex’s OWSLA imprint back in 2011, and he’s had chart-topping singles in the UK), yes. This music is enormous, and yet when most people hear the term “EDM,” they turn up their noses.īut the 21-year-old Porter Robinson will be the producer who turns heads. EDM is sweeping the mainstream: Martin Garrix’s undeniable “Animals” appeared in a recent Madden video game, and Skrillex scored the indie smash Spring Breakers and made an appearance in Disney’s Wreck-It Ralph. It’s never been bigger, and as such, it’s never been more divisive. How Porter Robinson went from a young EDM upstart to paving the way for electronic music's future.Įlectronic music is in a weird place right now, especially in America.